In a standard triadic progression, what is the effect of inverting some chords?

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Inverting triadic chords mainly affects voice leading. When you flip a triad so the third or the fifth becomes the lowest note, you change which chord tones sit in each voice. This lets you keep at least one common tone between chords and move the remaining voices by step or small intervals rather than large leaps, creating a smoother, more connected progression. The bass line also tends to move more evenly, reinforcing that smooth flow. Inversions don’t change the key signature, speed, or add chromaticism by themselves; they’re a practical tool for cleaner voice-leading within the same key.